At Nasabraham.com, accessible from www.nasabraham.com, one of our main priorities is the privacy of our visitors. This Privacy Policy document contains types of information that is collected and recorded by Nasabraham.com and how we use it.If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us through email at nasabrahamdesign@gmail.comGeneral
Data Protection Regulation (GDPR)
We are a Data Controller of your information.
NA Media Ltd legal basis for collecting and using the personal information described in this Privacy Policy depends on the Personal Information we collect and the specific context in which we collect the information:
• NA Media Ltd needs to perform a contract with you
• You have given NA Media Ltd permission to do so
• Processing your personal information is in NA Media Ltd legitimate interests
• NA Media Ltd needs to comply with the law
NA Media Ltd will retain your personal information only for as long as is necessary for the purposes set out in this Privacy Policy. We will retain and use your information to the extent necessary to comply with our legal obligations, resolve disputes, and enforce our policies. Our Privacy Policy was generated with the help of GDPR Privacy Policy Generator.If you are a resident of the European Economic Area (EEA), you have certain data protection rights. If you wish to be informed what Personal Information we hold about you and if you want it to be removed from our systems, please contact us.
In certain circumstances, you have the following data protection rights:
• The right to access, update or to delete the information we have on you.
• The right of rectification.
• The right to object.
• The right of restriction.
• The right to data portability
• The right to withdraw consent
Log Files
Nasabraham.com follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services' analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users' movement on the website, and gathering demographic information.
Privacy Policies
You may consult this list to find the Privacy Policy for each of the advertising partners of Nasabraham.com.Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on Nasabraham.com, which are sent directly to users' browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.Note that Nasabraham.com has no access to or control over these cookies that are used by third-party advertisers.
Third Party Privacy Policies
Nasabraham.com's Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options. You may find a complete list of these Privacy Policies and their links here: Privacy Policy Links.
You can choose to disable cookies through your individual browser options. To know more detailed information about cookie management with specific web browsers, it can be found at the browsers' respective websites. What Are Cookies?
Children's Information
Another part of our priority is adding protection for children while using the internet. We encourage parents and guardians to observe, participate in, and/or monitor and guide their online activity.Nasabraham.com does not knowingly coll ect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.
Online Privacy Policy Only
Our Privacy Policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in Nasabraham.com. This policy is not applicable to any information collected offline or via channels other than this website.
Consent
By using our website, you hereby consent to our Privacy Policy and agree to its terms.
Commissioned by Fabric PR and Umbro to conceptualise and direct the campaign for their Centenary collection, celebrating 100 years of Umbro. The campaign acted as an ode to the Northern Quarter in Manchester, making subtle references to street art, music, cottonopolis where Umbro was originally manufactured. This campaign features my signature style of mixed media photography.
Commissioned by agency This Here to execute the Under Armour FW24 football campaign featuring three professional athletes- Eddie Nketiyeh from Arsenal, Pedro Porro of Tottenham Hotspurs, and Anna Patten of Aston Villa. I was briefed with bringing in my aesthetic whilst also staying true to Under Armour’s existing audience and had to find a middle ground without compromising on quality, whilst shooting under pressure with the small amount of time we had with the athletes.
Conceptualised and executed an aesthetically-lead campaign for the StyleBy series for Nike. This set of stills and moving image served to highlight the versatile styling capabilities of the Cortez trainer, showing our models across a carefully curated London backdrop and shot with natural-looking light.
Commissioned by phone case giant company Casetify to create a series of assets around the theme of “larger than life”, where our models were shot in dynamic angles with exaggerated proportions and composited over CG environments that my SOS team created.
Experimentation with shapes, silhouettes, and in-camera effects. Momentarily stepping away from digital/ post production heavy editing to focus on more in-camera effects.
Experimentation with shapes, silhouettes, and in-camera effects. Momentarily stepping away from digital/ post production heavy editing to focus on more in-camera effects.
I worked alongside the Hypebeast team to produce the Moncler Grenoble campaign film entitled “Macro Moncler”- which was based on natural macro textures that represent the qualities and characteristics that the pieces possess. I used my signature style of vintage digital mixed media stills to contrast the high-end cinematography bring the content to life.
Commissioned by UK shoe retail giant Office to produce and execute a set of dynamic visuals for their Crocs summer campaign. My SOS team and I formulated a visual approach to communicate the theme, this included overall image style, 3D elements, set design, moving image and edit style, vfx sound design and grading and the 3D Jibbitz which we modelled completely from scratch using 3D software. The campaign was made into incredible set of window and point of sale displays placed around multiple Office locations across the UK, most notably their Carnaby Street store.
I was commissioned by Office Shoes to create a campaign around the launch of their exclusive Nike AF1 Fontanka. The shoes’ physical appearance has a deconstructed/ “makeshift” feel to them, so I wanted to represent that feeling through the visuals, with collage, mixing lofi vintage toy-camera footage and photography with high end cine-cam footage and DSLR photography, all shot on green screen and composited with VFX.
The SOS Team was commissioned by agency Platform13 help execute their concept for their client Dr Martens on a Global campaign with a theme of bringing a hyper-digital aesthetic to DM’s rebellious core brand. We had a variety of visual elements coming together, from designing and creating CGI backgrounds from scratch photography of talent and products, which were then retouched and composited across CGI backgrounds, that we we designed and built completely from scratch. We also shot and directed the film, edited and composited the video motion, chroma-keying, to grading and sound design, all in-house.
Commissioned by Italian publication Collectible Dry to create an aesthetically lead, explorative fashion film that explores the relationship of energy and movement.
Commissioned by Office to conceptualise and execute the Nike “Bliss” campaign. I took inspiration from early 2000’s technology adverts, using a lot of the cool electric hues, chrome materials and 00’s styling to compliment the trainers. Complete with custom designed graphic motifs, 3D digital assets, it was the first project where my personal photography style has been used commercially.
Highlighting the importance of sustainability, this film depicts a post-apocalyptic earth, where the characters are living in such a way that the earth is barren and desolate due to pollution and a lack of care for the earth. The characters find the “relics” (the Palladium sneakers), buried across the land, where they use their technology to uncover the sustainable properties of the shoe.
A set of visuals I created for Christian Louboutin’s “Loubishark” sneaker launching at British retail giant- Flannels, which features a vibrant jagged sole inspired by shark teeth. I pitched the concept centred around the sharks’ “electroreception”, a unique sense that sharks possess that helps them sense the bio-electricity of their prey in the water. The visuals feature a range of different visual scenarios, mimicking a tv switching channels. My SOS team and I used a huge range of visual techniques in this project, elaborate set design, graphic art, projection mapping, CGI and compositing, photography, video and much more.
A conceptual film based on the physical portrayal of separation and isolation. Taking inspiration from Li Edelkoorts' thoughts on subconsciously guarding oneself from external pressures and threats by using physical barriers, our character was purposely styled to reflect the notion of distancing and protection, adorning large silhouettes and thickly layered clothing pieces.
In this fashion film I directed and edited, my team and I explored the captivating phenomenon of bioluminescence, delving into the natural world where light and movement interact with one another. I wanted to capture the enchanting glow emitted by bioluminescent organisms, showcasing their delicate and otherworldly beauty.
Commissioned to capture a story around Disney actress Yara Shahidi ahead of the Vogue World event in London, creating a set of visuals that capture the rush and excitement of her before the event.
As part of my consultancy with Soho House, I was assigned the role of Director for an interview and editorial with multi- award winning Actress/ Singer Cynthia Erivo for Soho House, focusing on how she stays vibrant, collected and present in all that she does.
As part of the Flannels SS21 campaign, my Sense Of Sync team and I worked on a virtual world for Gucci. Using a similar process to the main SS21 project, we designed and created the virtual environment completely from scratch. As the Director, I instructed the models on actions and movements to give a feeling as if they are in this world of their own. We then composited the model's actions within the 3D environments.
My Sense Of Sync team and I were commissioned by British luxury retail giant Flannels to bring the fantasy world concept of the SS21 campaign to life with the use of 3D environment creation and compositing. This campaign was shown on multiple billboards and key locations around the UK.